Graphite Labyrinth
I was fourteen years old when Sierra DeMulder
and Lacey Roop took the cracking dirt clump that sleeps
in my ribcage, and spoon fed it rose water and crushed eggshells.
I learned “today means amen in every language” and “love is what’s in
the room with you at Christmas when you stop
opening presents and listen”
and I felt something sprout.
Razors were (almost) completely replaced by pencil scratches
on blue lines like the veins I was giving a
vacation of safety and distraction.
Button Poetry became my soaps and
recording my toxicity on loose leaf became
the only thing I ever wanted to believe in
because god, I wanted to spin gold
that could cure a broken heart
or my plummeting self-esteem.
I wrote for myself to justify the state of my right wrist,
romanticizing the blood, wanting to die,
post breakup depression
it took a summer spent in an adolescent psych hospital,
526 miles, and too much ibuprofen plus lukewarm orange soda equals
the end, but I was never good at that kind of math.
The sprouts in my ribs grew weeds, white puffs of dandelions
blew away that summer and I eventually got the peonies to bloom like I wished for.
The paper that kept my poems tied down went from
smelling like old shrimp to peach tea and
the feathery brown hair on my baby brother’s head, the same
sandy shade as my own.
I still write in labyrinths, cross my fingers and hope I don’t sound
like I’m trying too hard to be obscure like
banana flavored cashew milk and Portland School of Astrology,
but whether she tastes like lemon meringue or vinegar
I need her long nights between sheets with scrambled ideas
and eraser shavings until two in the morning
her voice comes through every writer in thunder, a calm tide or velvet.
She’s a harp made of heart strings plucked in time with
snapping fingers and an audience so thick with silence you can hear
the static crackle low against the booming of her voice
she’s my pulse every starless night but
the stars told me to write.
I found a voice in dandelions and peonies in a blank page
when all else failed
to paint the picture.