Work In Progress
Drafts 11 through 13:
The clicks of mechanical pencils
Punctuate the words wafting through the air
Intentional isolation
(alliteration, near rhyme)
Turning pages of light blue lines covered by
Dark gray graphite script
Oh how the bitter cold
Has sung on this here night!
She whispers to the stars
And whooshes right on by
(personification, onomatopoeia, iambic trimeter)
Prologue scratched
Edit, revision,
Edit, edit,
Revision, re-vision:
Drafts 14 through 17:
It was —
That new school smell,
Intro to myself, and
Casual existentialism.
Abstract S.O.S. morse code
Tapping in my vocal chords.
I didn’t get the guy or the girl,
So my consolation prize was poetry.
They said they liked the sound of my voice and
I said I've never heard it before
But who's to say I never will?
I can't keep a diary so I'll learn
How to write on napkins in airport terminals instead.
Drafts 18 and 19:
What good is a voice if you don't speak up?
What good is a pen if you don't write truth?
Repetition won't save you now,
But there's a damn good chance
You can save someone else so
Don't start a fire hazard holding onto
Old drafts piling up —
Take inventory,
Remember, then discard. You see,
A heart isn't meant to keep things in,
It takes what it's given,
Holds it briefly,
And let's it go.
Your turn.
Edit.
Revise.
Begin Draft 20