Modern Criticisms
Location
Je suis
Click, click
Black heels reverberate smoothly in sync with the
lithe body of a metal barrel
shining in the streetlights an omen
within the shadows of dark
night cloaking the
humming danger.
Held breath as the world goes silent
and, swelling,
bursts wide open in cacophonic harmony
as, surefire
metal birds find their targets
catching their prey in
a torrent of red
gushing-
there are stains.
And blue and white,
missing.
We lay wrinkled sheets from our windows.
They drift, floating, and land
covering our pride, our dignity,
our blood.
Terrified to peep above the sill,
dust settling amongst a loud silence,
children cringe behind
their thoughts of playing war.
For Bernardino
Haven’t you heard the old man weep?
his daughter is locked inside, there’s a shooter there, I know, I saw it on my screen.
And the whole class collectively gasped, responding to beeps,
it’s a sorrow, how horrific, it could’ve been me.
I watched a physics demonstration with magnets, as closer and closer
one moved toward the other, tantalizingly near, we waited in silent ecstasy as
the two almost meet- almost- until one flies away
anxious in its spurning, it bursts - sorry, can’t stay;
Tears trickle down wrinkled skin as the old man
watches his phone, waiting to hear- she hasn’t texted in over an hour
and the hawks lurk, huge cameras in hand as the old man stares
and stares and stares and stares.
and I too,
we watch our screens, in silent ecstasy, but we also can’t meet
the old man’s weeping, we package away his sorrow
I write poetry and I bemoan the tragedy
and I turn to another, gasping
Haven’t you heard the old man weep?